NAVIGATION
Trade Login
- We have had many customers asking about the ongoing changes in radio microphone frequencies, their use and more importantly whether their existing systems can be used in the future, here are some basic… Read more…
Posted: Wed 1st Sep 2010
- Check out our CCTV clearance special offers where you will find professional CCTV cameras at domestic CCTV prices.
Simply log-in to our Trade Area and go to the Special Offers page.
All items are sold… Read more…
Posted: Tue 3rd Aug 2010
- Our new fully illustrated 2010/11 full colour catalogue was published in July.
If you’re a trade installer and haven’t received a copy simply contact us via the web site and we’ll get… Read more…
Posted: Wed 28th Jul 2010
- AUDEX, our own commercial and professional audio exhibition, will once again be held on 6th October this year at Manchester City FC
So far the stands are 90% sold with only a few remaining.
As always… Read more…
Posted: Wed 28th Jul 2010
- Due to the vast array of products that we can supply, we do occasionally get left with items that are no longer current or are in grade B condition as they have been returned.
We have compiled a list… Read more…
Posted: Tue 20th Jul 2010
- To keep you informed of all the latest additions to our product pages we've created a new area:
Whats New!
You can find this new area by simply rolling over the Products link on the left and clicking… Read more…
Posted: Mon 5th Jul 2010
Signal Processing
Crest Audio
-
The two-way stereo/three-way mono Crest Performance CPC-1223 crossover features a true fourth order Linkwitz/Riley crossover filter with improved selectivity to 24 dB/octave and an extended crossover … More
-
The all-new CPC-1234 combines the latest in solid state technology with a host of veratile functions. Both XLR balanced and 1/4" unbalanced inputs offer optimum hook-up flexibility. Full-featured crossover controls allow for precise selection in 2-way/3-way stereo or 4-way mono configurations.… More
-
What sets this compressor/limiter apart from all the rest? Plenty. It all starts with a short signal path to reduce coloration and the use of a premium THAT™ chip-set. Simply put, the CPL-1288… More
-
For fine-tuning a sound system, nothing beats a third-octave equalizer. It can “zoom in” on problem areas without affecting neighboring frequencies.
The CPQ-1131 can be used to compensate for room acoustic … More
-
It’s two utility equalizers in a one-rack-unit chassis.
In a mono system, use one channel on your main outputs to compensate for room acoustic anomalies, beef up speaker system deficiencies, manually control feedback… More
-
Even if you’re just getting started in live sound, you know what feedback is.
While the CPQ-1232 is a very technical device, it’s perfect for non-technical sound operators. Just as its … More
-
This 1/3 octave EQ with FLS® is designed to provide very fine control over any audio situation. More
-
CPQ™-2215P offers dual channel (15 bands per channel), incorporating legendary low-noise, low-distortion design More
DBX
-
ORDER CODE: 1046
The 1046 provides 4 channels of smooth classic dbx OverEasy® or Hard Knee compression that are perfectly suited for use on individual tracks of your multitrack recorder, and in virtually all applications the separate channels can be individually interfaced and used for entirely independent purposes.… More
-
ORDER CODE: 1066
Want to instantly add that classic dbx response to your mix? It's there at the touch of the "Auto" button. Or use the independent Attack and Release controls to tailor the 1066 to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control… More
-
ORDER CODE: 1074
The latest addition to the 10 Series product line, the dbx® 1074 QuadGate™, is the perfect companion to the 1066 and 1046. The 1074 offers 4 channels of gating with threshold, depth and release controls on each channel. The 1074, like the rest of the … More
-
ORDER CODE: 1215
The dbx® 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 1215 provides standard features like dual channels, 15 2/3 octave bands, ISO frequency centers, +/-12 dB input gain range, and… More
-
ORDER CODE: 1231
The dbx® 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 1231 provides standard features like dual-channels, 31 1/3 octave bands, ISO frequency centers, +/- 12 dB input gain range, and… More
-
ORDER CODE: 131
The dbx® 2-Series Graphic Equalizer series have been designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 131 not only offers standard features like single-channel, 31, 1/3 octave bands, ISO frequency centers,… More
-
ORDER CODE: 160AD
Since its introduction in the mid 1970's, the dbx 160 series has been the world's most popular line of audio compressors. After the classic 160 (which is still used daily in many world class studios), came the 165, the 160X and the 160XT. The 160X/XT were the models that truly became the industry… More
-
ORDER CODE: 166XL
When using the 166XL’s Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow “leveling” to aggressive “peak” limiting.The 166XL’s advanced gate circuitry… More
-
ORDER CODE: 2031
It's amazing. One little button. It has so much effect. The Type III® Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQ's possible, boxes with the heritage and performance to rival our famous… More
-
ORDER CODE: 215
The dbx® 2-Series Graphic Equalizers have been designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straight forward controls. The 215 not only provides standard features like dual channels, 15 2/3 octave bands, ISO frequency meters,… More
-
ORDER CODE: 2215
It's amazing. One little button. So much effect. dbx® Type III® Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series… More
-
ORDER CODE: 223
Let's take a look at the construction features of the dbx® 223. At first glance, you'll notice the units are great looking. As you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click".… More
-
ORDER CODE: 2231
It's amazing. One little button. It has so much effect. The Type III® Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQ's possible, boxes with the heritage and performance to rival our famous… More
-
ORDER CODE: 223XL
Let’s take a look at the construction features of the dbx® 223XL. As you turn the controls you will notice that these units are extremely well built. The controls exude great precision, and the feel is a solid “click”. Also, when you open the box, you won’t find the external power supply… More
-
ORDER CODE: 231
With a lineage extending back to the revered 12 and 20 Series graphic equalizers, the dbx® 231 easily lives up to the dbx reputation at a price point which can find a home in the tightest of budgets. Besides including two 31-band channels of 1/3-octave equalization, the 231 also offers ±6 or ±12… More
-
ORDER CODE: 234
Let's take a look at the construction features of the dbx® 234. At first glance you'll notice the units are great looking, and as you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click".… More
-
ORDER CODE: 234XL
Let’s take a look at the construction features of the dbx® 234XL. At first glance you’ll notice the units are great looking, and as you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid “click”.… More
-
ORDER CODE: 266XL
Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 266XL ensures that both its compression and gating provide versatility and excellent sonic performance in… More
-
The AFS 224 Advanced Feedback Suppression processor was designed to provide state-of-the art feedback elimination processing, while maintaining a simple and intuitive control interface. From the powerful DSP module to the no-nonsense user interface, the AFS 224 provides all the processing and control… More
-
Designed from the ground up to provide state-of-the-art signal processing, the DriveRack 220i is the perfect tool for any fixed-install application. With a full complement of processing features and Mic/Line inputs the DriveRack 220i can provide both system and microphone processing.… More
-
There is a reason that Tour Sound Professionals and discriminating Audio Contractors choose dbx® DriveRack® products for their high-end tours and installs. The DriveRack products provide the tools that ensure that the system sounds its very best. … More
-
442 DriveRack® Complete Equalization Management System. The DriveRack® 442 Complete Equalization Management System is the latest product in the DriveRack® line. The 442 is based on the same operating system as the DriveRack® 480 and offers the user four inputs and four outputs on XLR connectors.… More
-
At the heart of the DriveRack® system is the 480. The 480 includes 4 inputs and 8 outputs which can be tailored for any configuration. By including every form of processing necessary to drive the signal from the mixer to the power amps, such as pre-crossover… More
-
The DriveRack 4800 is the next generation of the famous DriveRack family, and like its predecessor it is engineered to provide “Everything you need between the mixer and the power amps”. In keeping with this philosophy the 4800 includes four inputs and eight outputs with both… More
-
The 481 and 482 are slave units which include all of the functionality and features of the 480 . They both incorporate 4 inputs and 8 outputs with Euroblock connectors on the 481 and XLRs on the 482. However, they do not include the front panel programming… More
-
The DriveRack 4820 is the next generation of the famous DriveRack family, and like its predecessor it is engineered to provide “Everything you need between the mixer and the power amps”. In keeping with this philosophy the 4820 includes four inputs and eight outputs with both analog and digital… More
-
The 481 and 482 are slave units which include all of the functionality and features of the 480 . They both incorporate 4 inputs and 8 outputs with Euroblock connectors on the 481 and XLRs on the 482. However, they do not include the front panel programming… More
-
The DriveRack® PA continues the legacy of DriveRack® series, which has been created by the company that has been redefining the standard of signal processing for more than 30 years. The DriveRack® PA was designed with the purpose and vision of providing… More
-
ORDER CODE: IEQ15
The iEQ series represents a major step forward in the performance of EQs. The iEQ series is now able to offer state-of-the-art digital EQ performance and specs with an analog look and feel. From its amazing 10Hz to 22kHz frequency response, to its 113dB dynamic range and Advanced Feedback Suppression… More
-
ORDER CODE: IEQ15
The iEQ series represents a major step forward in the performance of EQs. The iEQ series is now able to offer state-of-the-art digital EQ performance and specs with an analog look and feel. From its amazing 10Hz to 22kHz frequency response, to its 113dB dynamic range and Advanced Feedback Suppression… More
-
ORDER CODE: IEQ31
The iEQ series represents a major step forward in the performance of EQs. The iEQ series is now able to offer state-of-the-art digital EQ performance and specs with an analog look and feel. From its amazing 10Hz to 22kHz frequency response, to its 113dB dynamic range and Advanced Feedback Suppression… More
-
With 12 inputs and 6 outputs and Ethernet control the dbx ZonePRO™ 1260 and 1261 are the newest members of the ZonePRO™ family providing a complete suite of signal processing and control for Commercial Audio applications.
Designed to offer superior system sonic performance and… More
-
With 12 inputs and 6 outputs and Ethernet control the dbx ZonePRO™ 1260 and 1261 are the newest members of the ZonePRO™ family providing a complete suite of signal processing and control for Commercial Audio applications.
Designed to offer superior system sonic performance and… More
-
With 6 inputs and 4 outputs the dbx ZonePRO™ 640 and 641 provide flexible signal routing, powerful DSP processing and multiple control interfaces for Commercial Audio applications.
Designed to offer superior system sonic performance and flexibility, the 640/641 deliver the highest quality tools… More
-
With 6 inputs and 4 outputs the dbx ZonePRO™ 640 and 641 provide flexible signal routing, powerful DSP processing and multiple control interfaces for Commercial Audio applications.
Designed to offer superior system sonic performance and flexibility, the 640/641 deliver the highest quality tools… More
Lexicon
-
ORDER CODE: 960L
Lexicon's flagship multi-channel digital effects system. The 960L supports 8 channels of balanced analog I/O and 8 channels of AES/EBU digital I/O in various configurations. It comes standard with one DSP card and provides support for an optional second DSP card that doubles the available processing… More
-
he newest addition to the 960L family — a stereo version of Lexicon's flagship multi-channel digital effects system. The 960LS is similar to the 960L without the multi-channel processing and AES/EBU digital I/O. But, Multi-Channel Processing software and AES/EBU digital I/O cards are available… More
-
ORDER CODE: 960LD
A more affordable, digital I/O version of Lexicon's flagship multi-channel digital effects system. The 960LDis identical to the 960L, without the balanced analog I/O. But, the A/D analog input and D/A analog output cards are available as separate options More
-
ORDER CODE: MPX1
The MPX 1 Multi-Effects Processor fulfills the promise implied by the term "multi-effects." When summoned to do their best reverb, most single DSP multieffect processors run out of gas — you don't get additional effects. The MPX 1 has Lexicon's own proprietary Lexichip, dedicated to delivering… More
-
Whether you're looking for raw processing power with instant front-panel access for live performance, or seeking rich, smooth and complex processing algorithms in the studio, Lexicon® brings the best of both worlds together in the MX200 Dual Reverb/Effects Processor. Designed with both live sound… More
-
Our revolutionary MX200 and MX400 changed everything. The great sound of a hardware Lexicon reverb — plus the ability to put that power to work as part of your DAW workflow via PC VST® and Mac® AU plug-ins. Now we’ve packed a significant portion of the MX400’s feature set into the ultra-affordable… More
-
You want the rich, luscious sound that’s defined studio reverb for three decades: a genuine Lexicon hardware processor. But you also want the flexibility of programming high-quality effects right inside your DAW program…without bogging down your CPU or resorting to expensive processing cards.
… More
-
ou want the rich, luscious sound that's defined studio reverb for 3 decades: a genuine Lexicon hardware processor. But you also want the flexibility of programming high-quality effects right insideyour DAW program... without bogging down your CPU or resorting to expensive processing cards.
… More
-
Give your CPU a rest. Put expensive "farm cards" out to pasture. Now you can have the rich, luscious Lexicon sound that's defined studio reverb for three decades in a purely digital form. With all the convenience of an automated plug-in right inside your DAW program.
… More
-
ORDER CODE: PCM81
The PCM 81 Digital Effects Processor has everything that made the PCM 80 the top choice among studio effects processors – and more. More effects, more algorithms, longer delay, and full AES/EBU I/O. Each effect has an uncompromised stereo reverb with several voices of additional effects. A full… More
-
ORDER CODE: PCM91
The PCM 91 Digital Reverberator offers Lexicon's highest quality reverbs in a compact, affordable package with a powerful interface which allows both easy access and a wealth of programming capabilities for the sound designer. All of the features of the acclaimed PCM 90 are included, plus full AES/EBU… More
Phonic
-
ORDER CODE: A6100
Phonic's A6100 Enhancer is a new generation dual-channel professional signal processor that processes the audio signal with a high-frequency exciter as well as a low-frequency enhancer. The enhancer boosts the low and sub-low frequencies, making the sound richer and more prevailing. The exciter,… More
-
ORDER CODE: A6400
Phonics VocalMax A6400 has been compressed into a single rack space, and features a Mic preamp, noise gate, tube emulation, tone control, a built-in compressor, dual-band parametric EQ and a de-esser. The A6400 is an effective and versatile device, practical in any situation that calls for the livening… More
-
The DFX 256 is a studio quality, simple-to-use digital multi-effects device. The DFX 256 offers 16 of the digital effects most commonly used by audio professionals, such as reverb, delay, flanging and chorus effects. True 24-bit A/D and D/A converter and 32/40-bit digital processing deliver clean,… More
-
ORDER CODE: I7100
The i7100 FeedbackSilencer offers 24 feedback filters in two channels. Each filter can be independently set to operate in one of three modes: Single-Shot, Auto, and Parametric. In the Single-Shot mode, each filter is automatically assigned and locked to a feedback frequency until it is manually reset.… More
-
The Phonic MQ 3400, a dual channel 15-band equalizer, offers 12 dB of cut or boost in 2/3 octave steps, with standard ISO center frequencies between 25 Hz and 16 KHz. The MQ 3400 is a single rack space unit and is ideal for both touring and fixed PA installations. More
-
The Phonic MQ 3600 is a dual channel, 31-band equalizer that offers 12 dB of cut or boost in 1/3 octave steps, with standard ISO center frequencies between 20 Hz and 20 KHz. MQ 3600 is 2-rack space unit, and accepts both 1/4" TRS phone jacks and XLR connectors. More
-
The PCL 3200 is a highly sophisticated dual-channel compressor and limiter with gate. Each of the PCL 3200's sections provides independent controls over threshold, compression ratio, attack time and release time in either "hard-knee" or "soft-knee" operation. Whether it's to pull… More
-
The Phonic PCR 2213 is a professional 2-way stereo or 3-way mono, 24 dB/octave crossover for any application where an active crossover multi-way speaker system is used. All outputs incorporate a limiter, mute switch, and phase invert button for maximum control. The PCR 2213 also features balanced… More
Yamaha
-
For more than 15 years the letters "SPX" have been synonymous with professional multi-effect processors, and over that time you would almost always find an SPX90, SPX90II, SPX900, SPX1000 or SPX990 in any well-equipped studio or live-sound rack. The SPX2000, while inheriting the standard… More
